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Stage 1. Pick the flowers
Every piece starts with what Lisa finds: flowers from her own front yard and garden, flowers from her walks, and sea glass she finds by hand. What she makes depends on the season. When the flowers in her yard are done for the year, she waits until next spring to make more.
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Stage 2. Dry them in silica
Before a flower goes into resin, it has to be completely dry. Lisa buries each one in silica, the same moisture-absorbing grains that come in those little packets packed with things that need to stay dry. Over several days the silica pulls the water out.
“It’s got to go in this silica stuff for several days to completely dry it out.”
Lisa TomasianDrying in silica keeps the flowers three-dimensional instead of flat. They come out a little brittle, and that’s when the resin work starts.
A whole rose keeps its full shape inside a resin sphere. -
Stage 3. Lay out the design
With the flowers dry, Lisa lays them out by hand and works out where each one will go. Every batch of flowers is different, so no two pieces come out the same.
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Stage 4. Pour the resin in layers
A piece is built up in layers of clear resin, not poured all at once. A flower frame usually takes three pours:
- The first pour fills it about halfway or less, and Lisa starts placing flowers into the resin.
- The second pour carries more flowers, so the design gets depth and comes up level.
- The third pour is detail work. She paints resin over any petals or leaves that stick up past the frame.
Christmas ornaments start the same way, with a dried flower, and are poured in a mold. Bigger work like a river table uses a different resin made for deep pours.
Ornaments start with a dried flower and are poured in a mold. -
Stage 5. Finish it
When a piece needs work, Lisa sands it, buffs it, and pours again. Earrings get one more pour on the back to give them a beveled edge.
Framed earrings get an extra pour on the back. -
Stage 6. Wrap it for the trip home
At shows, every piece goes home in a bag, wrapped in tissue so it doesn’t scratch.